analect (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
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writerslounge2011-09-13 05:46 pm
analect) wrote in writerslounge2011-09-13 05:46 pm
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Artistic license: thoughts?
All righty... in the interests of leaving some discussion open for those who want it, I have a question. How far do you take artistic license when dealing with something in a fictional context, and how much knowledge - either of the thing itself, or in terms of acknowledgement of the license you're taking - do you expect your audience to have?
I'm sure we all have different approaches here, so I'm curious.
As a kick-off point, I recently posted a story of mine that's been kicking around for a while to my journal. The Red Man is a horror short that involves references to Celtic druidism [click to read]. Though I researched a bit for the story, I don't know a lot about either historical or modern practice - however, I do have a few druid friends.
Their religious/philosophical slant is very different to the angle the story explores (notions of Awen and bardic tradition, while awesome, are not terribly horrific). So I guess you could say, here, I've taken the same kind of artistic license that The Wicker Man (the proper film; let's pretend the 2006 remake never happened) took with ideas of preserved pagan practice; i.e., it could have happened that way.
Is this something you do with different ideas? Or are you a stickler for realism and research? Does artistic license always (or ever) mean pandering to stereotypes, or is it a useful tool for playing 'what-if' with?
I'm sure we all have different approaches here, so I'm curious.
As a kick-off point, I recently posted a story of mine that's been kicking around for a while to my journal. The Red Man is a horror short that involves references to Celtic druidism [click to read]. Though I researched a bit for the story, I don't know a lot about either historical or modern practice - however, I do have a few druid friends.
Their religious/philosophical slant is very different to the angle the story explores (notions of Awen and bardic tradition, while awesome, are not terribly horrific). So I guess you could say, here, I've taken the same kind of artistic license that The Wicker Man (the proper film; let's pretend the 2006 remake never happened) took with ideas of preserved pagan practice; i.e., it could have happened that way.
Is this something you do with different ideas? Or are you a stickler for realism and research? Does artistic license always (or ever) mean pandering to stereotypes, or is it a useful tool for playing 'what-if' with?
no subject
Leyden Papyrus! Sounds fascinating! That is my area of personal interest and study - AE medicine with an emphasis on the herbalism, etc. I would love to read some of what you have written. :)
Have you ever read anything by Pauline Gedge? To me she is the is the Gold Standard in the fictional realm of Ancient Egypt and her research is impeccable.
A co-writer of mine and I are actually putting together a writer's guide for ancient Egypt. There seems to be plenty of interest, but I think that sometimes bad research materials and previously published and poorly researched works cloud things up a bit.
I read this horribly written paranormal romance that dealt with Ninja trained vampires teaming up with buff Fallen Angels inhip hugging Levis. I didn't know whether to fling the book across the room or fall out of my chair laughing! ;)
no subject
I usually try to go with the laughing. I suspect it's better for me.
I haven't read Pauline Gedge (yet), but I will definitely check the books out! Thanks for that. And oooooh yes! If you would take a look - once I'm a bit nearer actually having something readable properly beaten out of my notes - I would be very, very grateful.
At the moment, it's a case of knowing what I want to incorporate, but trying to find the time to blindly absorb enough to understand how it's all going to come together. Nebulous is not the word!
The writer's guide sounds like a fabulous idea. Definitely, it's one of those areas where *good* research material is hard to come by, as well as accessible information on aspects of daily life and culture. Sounds promising!