About
The Writers' Lounge is a friendly, informal chat, crit, discussion and resources group.
Have questions or want to discuss something? Fire away! Want some feedback on a piece of writing you're working on? Post it! Stuck with research, or found a fabulously useful resource others might benefit from? Step up and share!
We expect a level of maturity in our members, but we're open to all genres and levels of experience. Read full details on the comm profile or, if you need help, contact your friendly mods,
intothewood and
analect.
_____________________________
layout by
visualwit
Have questions or want to discuss something? Fire away! Want some feedback on a piece of writing you're working on? Post it! Stuck with research, or found a fabulously useful resource others might benefit from? Step up and share!
We expect a level of maturity in our members, but we're open to all genres and levels of experience. Read full details on the comm profile or, if you need help, contact your friendly mods,
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
_____________________________
layout by
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Expand Cut Tags
No cut tags
no subject
Date: 2011-09-29 04:22 pm (UTC)For my two cents, the opening to 'Fishboy' by Mark Richard. I love this book, though it's really a kind of Marmite thing. You'll either be absorbed in its lyrical rhythm, gothic dark humour and picaresque horror, or just get fed up of the wurbling and wander off. With that in mind:
"I began as a boy, as a human-being boy, a boy who fled to sea, a boy with a whistling lisp and the silken-tipped fingers of another class. A boy with put-away memories of bedclothes bound tight about the head, knocked by a hammering fist; the smell of cigar and shoe leather and the weighted burlap bag, thrown from a car into a side-road swamp. A child born again there, slithering out of the sack, a new beginning into life, holding back water to breathe through sour mudded filth and green surface slime. Put-away memories of my gums pushed back and bloody gnawing slugroot; the ripped frog muscle spasms tickling my tongue as I ate the things almost whole, and then the all-night chorus of croaking reproach; the bitter-centred snake eggs I washed down with the stagnant sulphured water, a mushroom cap for a cup, all of it heaved back up, a slack-jawed torrent of spew splashing around my ankles, heaving up my own new creations of life in the mire, bits and pieces wiggling and squirming and convulsing, web-footed and scaled, tiny dead reptilian eyes like pretty black beads in pearls."
It's dense but, whoa, it's visceral. The author is from Louisiana, and the whole book - though it doesn't have that denseness all the way through - is wonderfully evocative in its sense of place and experience. (Also: writing like crazy. This is good. Consider me doing the cheerleader pom-pom dance for you. *grin*)